One of the worst decisions I made scholastically this semester was attending the Coachella Art and Music Festival in Indio, California. Aside from having an incredible lineup of musical artists, there was an incredible amount of incorporated, cutting edge art installations. Since I've been involved in CIA this semester, I was very curious as to how art and technology could be a potential career path. I saw bands perform that I'd probably only have a once and a lifetime opportunity to see as well as view contemporary art production.
Creator's Project(http://www.thecreatorsproject.com/coachella)
The "Creators Project" is a collaboration between the Intel Corporation and Vice (art and technology magazine) which designed and implemented the extensive art production at Coachella Music Festival. Specifically certain artists worked on single projects while many others were immense collaborative productions.
UVA (United Visual Artists) along with artist Mira Calix (both from the UK) designed the main stage where some pretty incredible shows were put on visually.
1.) Arcade Fire:
Artist Chris Milk created Arcade Fire's finale which consisted of 1000s of beach balls shot out of the top of the main stage and onto the crowd, each embedded with IR transmitters and RGB LEDs to control the patterns of color emitted.
Animal Collective:
While Animal Collective finished setting up, the main stage showed this pretty incredible light show bye UVA:
Chemical Brothers:
This set involved multi angled 3d video projection. I've never seen anything like it.
Sahara Tent:Designed by Brazilian Artist Muti Randolph not only had a brilliant wall of LEDs and LCDs but strings of RGB leds hanging from the ceiling which also showed animations:
Steve Angello
Afrojack
Sculptural:
Aside from the interactive music installations there were a barrage of larger than life sculptural creations which intensified the futuristic realm we'd entered.
Insects:
Night
and
Day
Neon Trees (where everybody would try to go and find they're group but almost always fail):
Pterodactyl (if you pedaled really hard for a really long time the wings would flap:
Unfortunately charging cameras and phones was unbearably awful and nearly impossible to do when thousands of people are crowding around a singular location to charge electronics. Therefore most of these images and video were taken from blogs, Google Images, Youtube, etc. I don't know if I'll return next year considering how difficult it made school for me this semester, but I'm sure next year's stage production will somehow attempt to out do this years.
White Ring at Elboroom
A Sound Art/Music Review by Lucas Marsh
So I'm approaching the point where I thought I was sick of the electronic music: the electro, house, the dubstep, the 8bit, the glitch, trance, (trip hop) the etc., blah, etc. (the expanse of sub genres pointless listing off, nor could I ever do that because I hardly care to waste our time). So my friend Sam at Berkeley (UC) hits me up and says something along the lines of "Hey man I'm gunna be in San Francisco tonight for this weird ass show at Elboroom called "White Ring" and you'd probably be down". I asked if I could "chalk it up as an art show because I had to write some silly paper for one of my classes (GWAR, duh)”. He said it was some “crazy hip hop sound art” and that there’d be a barrage of weird people and trannies and shit” and which made me reconsider joining the man. And then my other friend hit me up, stoked that I was going to meet both of them at the show (they also both needed a place to stay in San Francisco as well, I’m sure half of the reason both of them were stoked to meet up with me… why do I always assume the worst out of people… hmm). So we go to this kid’s house that I’ve known since high school from Roseville named Chris, my friend Dan, Chris’s girlfriend and her friend for some time. I tell them about the show and nobody is down to go. So we went to a USF party in the Haight, having first to open a bottle of wine with a shoe. We opened the portal only to find an apartment land where the guys had tank tops and the girls were ugly. So I looked for a moment when I could break out of there.
I suddenly made my move as some jacked asshole began to elaborate on how awesome Academy of Art panned out to be for him, or something (I was annoyed by his mock collar Emporio Armani euro trash influence). I decided not to talk shit about how much money he wasted and how portfolios are the only thing that really matters (or so they tell us) in getting work, a gallery, residency, gradschool acceptance etc.. I grabbed Dan and we took a cab to the Mission, met up with Sam and the other friend David, and passed around the bottle of wine I’d opened “via shoe” in an alley way (it really doesn’t even sound that cool on paper). I got in and immediately waved at the people selling tickets like I’d just been outside havin’ a smoke and skipped on paying the ten dollar entrance fee and then proceeded to run upstairs.
So then I was transported through the “stairwell portal” and into a kind of alien infested, haunted, “Enter the Void” slaughterhouse realm. It’s like Crystal Castles on Salvia (yes, specifically). There was no dancing initially, only attempts to comprehend. And then there were glitched break downs, gangster rap, dubsteppies, electro, etc. and then it would stop and return to droney “murder land”. It was fucking crazy. I’m in the electronics and robotics class and so seeing how White Ring’s visual effects (probably integrated using Max MSP). It was a culmination and integration of so much party music available while maintaining this dark undertone reminiscent of a Satanic Blood Orgy (no I have not been to one……………………yet?). So I danced like I was “serving” Satan himself; that fool could never beat me in a dance off regardless of how expansive his evil-wielding powers are.
A Video I filmed of "White Ring" Live at Elbow Room
So then I checked out their influences and surprisingly it is mostly DJ Screw “chopped and screwed” Houston Swisha House gangster rap. Interestingly I hate every song that’s ever been chopped and screwed. Maybe I don’t “pour up” enough and sip enough sizzurp ( promethezine + codeine syrup + seven up or sprite + a Jolly Rancher = sizzurp) to be into chop and screw. Here is an example: listen to UGK’s hit “One Day” and get stoked.
Now listen to the DJ Screw chopped and screwed remix of the same song and get angry:
But White Ring and other “WitchHouse” artists apply this style to electronic music. And so I have some new stuff to listen to. Sweet.
I found an article that discusses the deconstruction of "Monument to Humanity"in Istanbul, Turkey by Turkish artist Bedri Baykam. The monument became a symbol of the hatred and animosity between Turkey and Armenia. Turkey has refuted history regarding the mass killings of Armenians under Ottoman rule. The two party Turkish government, half pious Muslim Nationalist and Secularists, are in heavy competition for upcoming elections.
The Prime Minister had described the monument as "freak" and promptly the city council voted to dismantle the monument. The 35 foot monument was in relative proximity to an Islamic Mosque which also stirred the pot. For a country so desperate to join the European Union, one could argue that their appreciation and value of Art might need a little improvement. Baykam, an ultrasecularist said this action would make the Art World view Turkey as the Taliban and since has become an avid spokesperson for Turkey-Armenia reconciliation.
In addition Baykam was stabbed by a man who was quoted saying “I cannot stand Bedri Baykam. That’s why I stabbed him. I don’t like his opinions.”
I was interested in this topic because we've been discussing how the meanings of monuments change as they exist in their space. I find it incredible that people can find so much personal offense in political commentary that has no definitive meaning. It doesn't say "The Turkish Government are assholes because they are refuting the mass genocide of Armenians". It was a beautiful work (though unfinished):
It's interesting that usually the meaning of a monument will be changed if it is disapproved by the public; in this case the monument was deconstructed and the artist was stabbed.
Introduction: "Fabric" is a transparent Calabi Yau manifold placed above ground in the center of the largest particle accelerator in the world, the Hadron Collider (2km in diameter) which spans the border of France and Switzerland. The monument allows the viewer to visually comprehend the scientific theories underlying the research being done at CERN (European Organization for Nuclear Research).
Background: When considering monuments, countless examples of monuments hailing gods which had been deemed the creators of man and the surrounding universe seemed most apparent. Until recently humans could really only praise mythological human constructs for their existence. Modern achievements in mathematics, science and technology have permitted alternative theories regarding the creation of the universe, life, and humans.
Super-string theory is the current model in connecting Einstein's general relativity (E=MC^2) which describes the first fundamental force's (gravity) on large scale objects with Quantum theory which only involves the other three of the four fundamental forces (electromagnetic, strong nuclear and weak nuclear forces) on subatomic particles. In order to permit the investigation of quantum particles and all of the forces acting upon them, super-string theory came to be the uniting platform. "The basic idea is that the fundamental constituents of reality are strings of the Planck length (about 10−33 cm) which vibrate at resonant frequencies. Every string in theory has a unique resonance, or harmonic. Different harmonics determine different fundamental forces" (http://en.wikipedia.org/wiki/Superstring_theory).
In order to do this, a continuous 6 dimensional loop had to be united with the three physical dimensions knowingly along with time in order to create a consistent paths in which quantum particles coming in and out of existance could be traced. The 6 dimensional object used in this analysis is called a "Calabi Yau Manifold". "Calabi-Yau spaces are important in string theory, where one model posits the geometry of the universe to consist of a ten-dimensional space of the form MxV, where M is a four dimensional manifold (space-time) and V is a six dimensional compact Calabi-Yau space" (http://mathworld.wolfram.com/Calabi-YauSpace.html).
Being that much of the research on activity at the quantum level is being done at CERN (European Union of Nuclear Research) using the large hadron collider, what a better place to display this monument but the dead center of the collider tunnel.
"CERN, the European Organization for Nuclear Research, is one of the world’s largest and most respected centres for scientific research. Its business is fundamental physics, finding out what the Universe is made of and how it works" (http://public.web.cern.ch/public/en/About/About-en.html).
Description: "Fabric" is a glass 12'x12' three dimensional representation of a Calabi-Yau Manifold.
What it represents, signifies or commemorates: "Fabric" represents Super String Theory physically and conceptually. The "Fabric" monument itself is only the visual representation of the planes in which quantum particles exist and move, while its placement on the in the 3 dimensions of Earth represent the connection super string theory makes between quantum theory and the theory of relativity. Its placement directly onto the earth over time (the 4th "earthly" dimension) will show grass growing upwards or erosion occurring, thus all dimensions involved with string theory will be present in its existence. In super string theory, the 6 dimensional Calabi-Yau Manifold is dwarfed by the 3 physical dimensions, and therefore its relatively small scale in accordance to the world it sits upon is somewhat consistent in juxtaposition.
Last "Fabric" represents CERN itself and the research on the nature of the universe and all things throughout the study of the interactions between subatomic particle collisions.
Why it is important: "Fabric" and its connection of 10 dimensions as a monument brings the viewer away from the notion of a "humanesque" creator and into that which contemporary scientific theories hint upon as the fabric of our creation as well as the platform (CERN) of discovery.
Since two dimensional graphic representations of Calabi-Yau Manifolds are difficult to comprehend, a three dimensional representation of a Calabi-Yau could allow for a viewer to understand what 6 dimensions "looks like" in 3 dimensional space. In placing this 6 dimensional object in a 3 dimensional space along with the inherent additional dimension of time permits the 10 dimensions of super string theory to be realized, as visually and conceptually possible, to the visiting viewer.
Where it is located and why this specific location: "Fabric" is placed in the direct center of the circular Hadron Collider tunnel at CERN and lies in the grassy field of farmland 100 meters above the underground tunnel. It should be viewed at this specific location because it is physically and metaphorically at the "center" of particle research.
"Fabric's location on the globe is at latitude: 46°16'36.09"N, longitude: 6° 3'58.82"E, which is in the farmlands just south of the village Bretigny, Northeast of Geneve Switzerland.
"Fabric" is ancored deep within the soil beneath it but permits the growth of shrubbery at it's base to ensure the 4th dimension, time, is realized.
How the monument works, What it does, size, What its made of: The monument is constructed of bullet proof glass, polycarbonate thermoplastic and layers of laminated glass, bolted to a rooted steel frame. It serves only the purpose projecting ideas the viewer can meditate upon as well as honoring the field world of physicists and expansive knowledge brought by scientists of the past.
How people view and/or interact with it: The transparent glass construction material allows for the viewer to see "Fabric" without it blocking the view of the surrounding scenery. This contrasts stone monuments of deities or religious symbols which block whatever is behind the monument in the viewer's line of sight. This allows the viewer to maintain a sense of harmony between "fabric" and the rest of the physical world in which it lies.
Why it is improbable and how it challenges more conventional monuments As a monument, "Fabric" conveys human existence through a scientific lens (symbolically and physically due to transparent glass) as opposed to a deity or string of myths. The monument contrasts modern theory of existence and creation against all Old World notions of how humans and the universe came to be (God?). As well, "Fabric" unites the 10 dimensions super string theory refers to by use of it's placement in the world; the Calabi-Yau manifold is only half of the concept. This deviates from the idea of the monument itself being the focal point and brings attention to the unification of both positive (the manifold) and negative spaces (the rest of the world).
Benefits:
Comprehending superstring theory is difficult enough to understand let alone visualize the dimensions used in its theories. "Fabric" helps the viewer/visiter visualize and conceptualize the planes of existance in which subatomic particles are being studied at CERN as well as other laboratories. Allowing the viewer to reference the 6 dimensional structures in which these particles are studied as well as their connection to the 4 dimensions consciously present in their world permits a conceptual understanding of the relevence of super-string theory. In addition, "Fabric" is a monument that honors science's constant quest to build on knowledge and understanding and CERN being a platform for breakthrough discoveries. No longer are people looking up to "God" but into the very fabric of our makeup for answers.
Timeline:
1.) Propose idea to CERN, European Union, town involved, and owner of land. May have to purchase plot of land for monument.
2.) Create a feasible model of a Calabi-Yau manifold on a program such as solid works that could represent a visually significant object but not necessarily mathematically accurate object. A perfect manifold may be close to impossible to create three dimensionally. Also material limitations will have to be taken into account and changes may have to be made.
3.) Design a base that is sturdy and figuring out how deep and wide it must penetrate the Earth's crust.
4.) Manufacture: May have to be molded in pieces then pieced together at site for final construction. Design will also have to reflect manufacturing limitations as well.
An uncle sam type or ex president on a huge platform in the middle of the garbage pile (great pacific garbage patch)
The idea is that america’s waste products have become the new final frontier to conquer.
Maybe a monopoly man wearing the uncle same costume.
This is the product of capitalistic competition. America owns this land: We've worked hard for it.
He’ll be holding an American flag like an astronaut instead of the cane but in his classic stance. Since America is the number one producer of garbage in the world it only makes sense to treat this island like any others previously involved in manifest destiny.
At some point this island may have realestate value or at least a mobile military base, and if that were the case we’d be the first ones to claim it as our own.
The North Pacific Gyre is where the largest of the garbage islands (North Pacific Garbage Patch) is located. Maybe we will some day use it as a fueling station for deep sea drilling rigs.
I plan on using Sketchup to create a 3D model of "The Monopoly Sam" and his flag, as well as try to create a scale model of the garbage patch itself because the patch doesn't currently exist in Google Earth.
I might just overlay an image done in photoshop of a collage of garbage images to shortcut creating a 3D environment, but hypothetically speaking, I could create one in Unity.
Skateboarders and Tony Hawk fans in general (just about everybody else) might remember this iconic reference to the “The Search for Animal Chin”(1987), a skateboard movie from Stacy Peralta's "Bones Brigade" (The OG skateboarding team) movie starring most famously the young and daring Tony Hawk – classic skate flick, of course.
Many people might consider the message to be a rallying cry for patriotism in the war on terror and the living, breathing iconic face of Osama Bin Laden without prior knowledge of this silly relic from the birth of a skateboarding counterculture, lifestyle and as an artistic expression
Hopefully the ignorant liberal hippies will suggest it’s brainwashing capitalist/republican/televangelist propaganda without recognizing the parallels between stories nor getting the reference at all. One can only hope......
Since I didn’t feel like doing a recap on the plot of Animal Chin, here is a synopsis I snatched from Wikipedia (search for “The Search for Animal Chin”):
"The Bones Brigade travels aroundCalifornia,Nevada, andHawaiito different skate spots in search of a wisened old man, Won Ton "Animal" Chin. The movie is of the old-school nomadic, skate-everything-in-your-path genre with interludes of stopping to rip-up a big ramp, pool or kicker. After much searching and skateboarding, they locate a large ramp in the desert. They also find a Chinese character on the inside of the ramp's spine. They conclude that in searching for Mr. Chin, they may have found his spirit."
I drew a parallel between Animal Chin and America's "War on 'Terror'" which both had the initial objective of missions to find a secretive and elusive man (one an enemy, one a hero). As it seems, Animal Chin is a man having an equal ability to disappear as King Terrorist, Osama Bin Laden.
As we enter the third third world country (Libya) to implement corporate restructuring and permit abuses incredulously intolerably within the boundaries of the United States (on paper), Americans seem to have forgotten their original objective of capturing of America’s Most Wanted enigma. And as the Bones Brigade became distracted by all the skateboarding and partying in their search for Animal Chin, the United States Government seems to be running into similar issues.
The point is: The "War on 'Terror'" (or whatever absurd P.C. term is used today) and the search for Bin Laden has kept the American army jumping from country to country in a perilous search just as the Bones Brigade jumps from skate spot to mega ramp in search of Chin: neither men have been found to this day.
Just like the war we seem to only find signs that Bin Laden had been staying in one cave, the sign of Animal Chin stands within the secret tunnel in the middle of a super ramp in the middle of nowhere: the race of elusive men must all reside in this place (in nowhere). They of course are nowhere to be found because that is where they all live.
A fallacy in the parallel exists: When the boys realize they’ll never find Animal Chin and that they’d have to settle for the inspirational aid of his spiritual form, they embraced it and took skateboarding to the next level, populazing the sport/art and creating physical social entertainment for generations to come They accepted the warm embrace of Animal Chin’s spirit within their hearts with the knowledge that they would never be able to push around with the man or pick his brain for “trick tips”. They had no intentions to shoot him in order to absorb his mysterious skateboarding super manna. They didn’t say “fuck it” and start idolizing some other asshole just because he’s the most lucrative source of income for the members of his group of friends or team.
Americans never had a chance to accept that they’d never find the arch enemy of stuff, gender equality, cotton candy, Jesus, [the pursuit of] happiness, business, pork products and booze -the American Dream(no wonder the government freaked out so much about it. I’d bet a thousand butterflies that Cargill, the number one privately owned multinational corporation in the God Damned/Blessed United States) probably is pretty bummed that the Muslim religion doesn’t permit a viable market for the many addictive ingredients theypeddle (modern agriculture is of course neither nutritionally beneficial for humans nor conducive to proving the environmental situations unfolding around us). So why not turn the other cheek like "good Christians" should? Michael Jordan (religion aside in regards to MJ) has retired from basketball, what say we remember the glory days, go to the games just to watch, and ice our injured limbs before we self destruct.
And now
A pessimistic look at where the competition for status and pursuit of [the result of a chemical reaction in the brain] begins spiraling into a state of chaos and destruction like every other known system in the universe:
And one forgets about one’s mortal enemies to one’s beloved nation under [a human construct] because one looks no further than into one’s painful existence where one celebrates in silence as one hears the cries of his neighbor from across the street while attempting to pile 18 kids into a “flex fuel” stretch HummerCraft ™. As it turns out, one’s spray painted the neighbor’s lawn metallic pink just so that one’s lawn might be greener than the neighbors’ at least once before it turns into a web of crabgrass and maze of rodent and snake tunnels as it dies due to dehydration. For the past 20 years one has overwatered the damn lawn incessantly (more to get the hell out of the house as one’s awesomely pathetic position as Team Leader at AWESOME FREEZE DRY DEEPFRY restaurant in the local strip mall has yielded little capital for one’s God fearing (and of course consistently tithing the first whatever absurd, disturbed, and ignorant church is offered locally) a corporate latter to climb… downwards…into whichever mythological eternal torture facility awaits.
Animal Chin and Osama Bin Laden both silently wait in this facility for this or any (every human at this point in the future) poor, overworked soul to come and learn about nothing, in a place called nowhere, where nothing matters but nothing. Animal Chin still skateboards while Osama Bin Laden wonders why he isn’t having pillow fights with the barrage of tweeny virgins he had so easily convinced the eager and dutiful soldiers of Allah who were to be waiting for them upon their arrival.
Sadly an unbiased approach places Animal Chin and Osama Bin Laden on the same tier of excellence in leadership and inspiration. Osama Bin Laden had inspired (an applicable number of relevance to what I’ll say following the end parenthesis) of Muslims who have chosen the right prophet to be stoked on and manipulated by. How many American’s can say that they were as truly happy as a man who truly believed he was destroying the enemy to a precious, sacred and chosen people that had it worse off than the spawn of the spawn of Satan’s stool samplings. A man who loves to skateboard that dies on their skateboard is probably just as happy as this dutiful Muslim man (not condoning this kind of behavior, j.t.l.y.k) as he melts in a fireball of glorious martredom, fossil fuels, and the blue shit-water on commercial jets.
b.After receiving all 5 celebrities open each individually and copy each photo above a black background layer in Adobe Photoshop
c.Adjust the transparencies using the opacity toggle in the layer window for each layer so that at least one aspect of every celebrity’s image shows throughout the whole image
d.Adjust the size of every celebrity image so that they are all relatively the same head size
e.Match the heads of the figures using the chin as a reference anchor.
f.Flatten all of the celebrity layers onto one layer using the applicable options within the Layer Window
g.Copy the new flattened background layer using the layer window.
a.Select the old background layer in the layer window and delete everything to create a transparent background layer beneath the new “copy of background layer”
h.Using a black paintbrush (size 40, 0 hardness) create a feathered frame around the image and center the image using the rulers and/or grids found in view>show>grid and view>rulers.
i.Use an eraser on paintbrush setting with zero hardness at the appropriate size (about 20-30) to just erase out the mouth region on the face area of the compiled figures – save image (celebmashtrans.psd file)
2.)Mad-Lib – Open Microsoft Word Madlib file
a.Fill in any words that fit with the type of word needed in the text boxes.
b.Upon completion select all white text (don’t select the text boxes!)
c.Turn the text color from white to black
d.The Mad-Lib is complete and ready to read
3.)Webcam – open “Live Central” video capturing program
a.Make sure webcam framing is level – use shoulders to gauge.
b.Make sure mouth is level and fully visible in frame
c.Press the record button in Live Central.
d.Use the back of a chair to prop up and stabilize chin while shooting.
e.Without moving head, read the altered madlib as clearly as possible. This may take a couple takes to get right.
4.)Editing – Open Adobe Premiere
a.Import celebmashtrans.psd and final video file into Adobe premiere
b.Put black video at beginning of video 3 channel (file >new > black video)
i.Insert a keyframe 1 second before the end of the image clip (the I/O keyframe toggle just under the VIDEO CHANNEL TITLE at the left side of the editing window
1.press the little circle in between the two outward facing arrows to insert a keyframe into the specified clip
ii.put a keyframe at the very end of the clip
c.Bring the last keyframe on the black video down to the bottom of the image clip to create a “fade” transition.
d.Bring the video file into video 1 channel at the 1 second keyframe point on the black video
e.Bring the .psd file into the video 2 channel at same place as the beginning of the video file
i.Extend the image’s duration to the same duration as the video clip file on video 1.
f.Select the video clip in the video 1 channel
g.In the video effects window, expand the motion tab by clicking the arrow on the left of the motion box to change the position of mouth in the video clip to sync its position with the transparent hole in the mash up image.
i.Toggle the position of the video 1 frame by selecting the clip by toggling the horizontal and vertical positioning options (move the mouse left or right) to center the mouth within the transparent hole in the mash up image.
ii.Also within the motion tab decrease or increase the size of the mouth by toggling the scale arrow.
5.)Audio Effects: in the effects window, expand the stereo effects tab in the same window as video effects
a.Apply the pitch shifter effect to video 1 channel’s audio
i.Make the pitch: -7t
ii.Make the finetune: -35 cents
b.Apply the Parametric EQeffect and toggle the following effects:
i.Center: 22243.8H
ii.Q: 3.9
iii.Boost: -20.4dB
c.Apply the Bandpass effect and toggle the following effects:
i.“check” the bypass button
ii.Center:498.2 Hz
iii.Q:.6
d.Apply the Volume effect:
i.Level: 1dB
6.)Drag another black video starting at the last second of video channels 1 and 2 placing a keyframe at the beginning and one directly at the end of video channels 1 and 2’s clip duration
a.Drag the first keyframe in the black video down to the bottom of the clip vertically to create the “fade out” transition.
7.)Render the whole movie by pressing ENTER on the keyboard.
8.)File >Export>Movie (name the file)>Save
9.)Open WinAVI All in One Converter
a.Convert the exported .avi file as an mp4
10.)Upload to YouTube
Custom Mad Lib Documents: Highlight starting at the end of this sentence to reveal the "Untold Biography of [Insert Celebrity Here]".
Mad Lib My name is NAME and I was born in a/an ADJECTITIVE farming town called CITY in DIRECTION ADJECTITIVE called CITY . I started HOBBY/PASTTIME when I was AGE and ADVERB became a NOUN . The local TV Station began coming to my shows because they were so ADJECTITIVE and ADJECTITIVE . Within that year, I landed a part on the TV show, NAME OF TV SHOW , on the TV NETWORK network. After getting a talent agent, I had a supporting role in the MOVIE GENRE movie from YEAR called REVENGE OF THE PLURAL NOUN . I then took time off from my acting career and pursued ACTIVITY 1 , ACTIVITY 2 , and ACTIVITY 3 , which I excelled in and eventually started doing ACTIVITY 2 for the MAJOR CORPORATION Corporation. I began doing TYPE OF DRUG with FAMOUS CELEBRITY 1 . After a spiraling into a vortex of chaos and self destruction, my family intervened and I admitted myself into ADJECTITIVE PLURAL NOUN rehabilitation facility where I met FAMOUS CELEBRITY2 who I immediately fell ADVERB in love with one another. We ran away to COUNTRY to elope where we started ADJECTITIVE PLURAL NOUN Non Profit organization. Through this organization I met the TYPE OF ROYALTY FIRSTNAME1 of COUNTRY A who was married to the head of the LAST NAME2 Mafia, FIRST2/LASTNAME2 which ran the black market in COUNTRY A and specialized in PLURAL NOUN . Needless to say, the tabloids found out about our bizarre love quadrangle as well as FIRST2/LASTNAME2 and I was forced to leave the country and separate from FAMOUS CELEBRITY2 . Also during this time I starred in MOVIE 1 MOVIE 2 and costarred in MOVIE 3 which I also wrote and co FILM CREDIT VERB . I joined the ADJECTIVE of RELIGIOUS ADJECTIVE PLURAL NOUN . I eventually got arrested for TYPE OF CRIME and was booted from that “cult” and received # of YEARS in a white collar prison. It was here that I began writing my memoirs and upon my release. NOUN Publishers printed my auto biography which ended up number Small Number on the CITY Times best seller list. It ended up selling millions because of its promotion on the DAYTIME TELEVISION HOST show. With the money I earned I started a nightclub called VERB PLURAL NOUN club and promoted NOUN , my own brand liquor. I was arrested for tax evasion and was fined number dollars. I sold my club to ANOTHER FAMOUS CELEBRITY and began working on my autobiographical film project which I’m currently starring , FILM CREDIT1 FILM CREDIT2 as well as FILM CREDIT 3 produced by MAJOR FILM PRODUCTION COMPANY and costarring YET ANOTHER FAMOUS CELEBRITY . The release date is in YEAR .
Random Wikipedia Art
Concept by Guinevere Stauffer
Directions
Step 1: go to Wikipedia and get a random article
Step 2: flip a coin. Whatever you get for this first flip will be your go and the side of the coin that is facedown will be your stop
Step 3: count the number of sections in the article including references and external links
Step 4: take the number from step three and count that many links from the top
Step 5: click on the last link in your count
Step 6: you will continue on this first time and repeat steps 3-5. For the rest you will flip the coin to decide if you continue. If you get the same face as the fist time you flipped you continue. If you get the face that was down you stop
Step 7: once you have stopped you take the last link you landed on and create an image that represents the link using a set number of lines. The number comes from your last completed step 3
* After flipping and clicking (4 rounds of steps 3-5), there were 10 sections from the article on Southeast Asia which ended up being a link to the article on Sambars. Therefore I had to draw a Sambar (from an image off of Google Images) using only 10 lines. There were no specifications on how the lines were to be made, so I just tried to keep my pen on the paper as long as I could for each line. I labeled my line breaks with the circled numbers surrounding my drawing of the Sambar. I used a black, extra fine Pilot Precise V5 rolling ball pen.
Here is the resulting image:
Reflections
While creating my mash-up movie, there was a great deal of systematic aesthetic arrangement involved to approach the indeterminacies of my final piece. Although my project initially only had two variables (the celebrity lookalikes of the person participating and the words used in the mad lib), the final videos' results became essentially ambiguous in every sense, while an abstract social commentary emerged. I did not realize that the slight movements of the mouth would interact with the semi-transparent celebrity images to mesh at random with the different facial structures in the image. Unknowingly I had included 2 other major variables into the equation: the interaction between the subtle displacements of my mouth and the instantaneous interactions they have with the different celebrities' faces. The second variable discovered were abstract connections and social commentary that becomes inherent between the reading of the mad lib and the imagery surrounded by the amoebic celebrity.
I feel slightly guilty that I created a project for Guin which involved a program which she didn't know how to use, so I helped her out a great deal to ensure that she could complete her half of this assignment. Aside from the whole video editing aspect, Guin was an excellent partner and did an awesome job.
Guin's Wikipedia drawing creation system was a different approach to this assignment and extremely refreshing. It was so great to only have to use technology (the internet; wikipedia) until the subject was set for me to draw. I was lucky I landed upon an existing animal, a gorgeous creature called the Sambar. I learned that "The Sambar(Rusa unicolor) is a large deer native to southern and southeast Asia" (http://en.wikipedia.org/wiki/Sambar_(deer)).
Guin's system of indeterminacy is applicable in providing inspiration and new subject matter which forces the artist to not only think about the marks that they make, but also creating drawings of subjects in which they may never have thought of approaching.
With my video project I really didn't have any idea as to the final aesthetics until all of the pieces came together. I had no idea of how weird it all would be....
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